Argomenc dl curs
Project 2 is focussed on supporting students in the development of original projects in collaboration with external partners. The course will use the project as a tool to investigate and explore a variety of possible themes, which will be identified, moving from the overall year’s theme “Questioning the Obvious - Unfolding Layers of Power, Places, and Systems”, based on the concrete opportunities and challenges posed by the “real-world” projects developed in practice. All these various themes will be explored in several scales (e.g. individual, group, mass), fields (e.g. interpersonal, political, infrastructural, cultural, etc.) and critical clusters or lenses (e.g. ecology, ethics, power dynamics, history, geo-politics, intersectional feminism, technologies, etc.).

Modalité de ensegnament
Project-work with a balanced mix of lectures, exercises, labs, workshops, presentations, critiques, feedback sessions, and reviews. Most of the work will be carried out in groups. Each group will choose or be matched to an external partner at the beginning of the course. A special role will be played, in parallel with the group work, by the collective definition of a shared format for presenting all design outcomes of the course at the faculty’s end-of-semester show in June (GOG). Additionally: interventions by external experts and eventually excursions.

Obietifs formatifs
Knowledge and understanding Students will have developed their own individual project practice and will be able to: - design, implement and manage projects - develop creative solutions and processes - involve stakeholders and actors in projects, identify their needs, conflicts and potentials and work productively with them - working with and leading multidisciplinary teams - working with different experts, companies, organisations, groups and people - designing the aesthetic dimension of projects or collaborating in design - developing prototypes or delegating their development - developing interventions and events or delegating their development - test and evaluate prototypes, interventions, events or their individual elements, or delegate their testing/testing and evaluation. Applying knowledge and understanding Students will be able to - develop projects and practices suitable for addressing complex challenges. - make tangible ideas, reports and projects, such as sketches, visualisations, mock-ups, models, prototypes, interventions and prototype events Making judgements Students will be able to: - take responsibility for the development and management of projects and activities - judging independently and critically: concepts and drafts Communication skills Students will be able to: - communicate convincingly in different ways and with different audiences - present projects convincingly - argue creative and strategic decisions - communicate productively within the team - lead creative processes and teams Learning skills Students will be able to: - working independently to learn according to different situations and in a personal way through experimentation and planning - working independently to learn according to different situations and in a per

Sort de ejam
The final exam will consist of a public presentation of the group project developed during the course, that will be required to include all the aspects of the project development process, including initial and contextual research, collaboration with the partner(s), critical analysis and positioning, participatory and inclusive methodologies, communication and storytelling strategies, prototyping tools. Before taking the exam, the students will be required to produce and file: - A project documentation in the form of a booklet - A project documentation in the form of a faculty portfolio entry - An exhibition during the faculty semester show (GOG). Assessment for NON-ATTENDING STUDENTS will be based on the presentation of the project developed by the students. Along with the project outcome, non-attending students need to be able to thoroughly present the design and research process that lead to it, including understanding of the local context, collaboration with local actors and design decisions taken. Also non attending students need to produce and file the documents and exhibition mentioned above.

Criters de valutazion
Student performance in this course will be evaluated based on a combination of individual and group work, emphasising both process and outcomes. The assessment criteria are as follows: Project Work: Students will develop one or more design projects that reflect their understanding of the course’s central themes, particularly their ability to understand the city as a context for eco-social transformation. The project will be evaluated based on creativity, conceptual depth, and the ability to propose innovative solutions.Regular feedback sessions will track progress, and final submissions will be presented at the end of the course.Research and Critical Analysis: Students will be required to conduct research that critically engages with contemporary socio-ecological challenges at multiple scales, from local to global, and reflects on how design can contribute to viable socio-ecological transformations. This component will be assessed through written reports and presentations. Participation and Collaboration: Active participation in discussions, workshops, and collaborative activities with peers and the DesignResearch course is essential. Assessment will focus on the student’s contribution to the collective learning process, including teamwork, constructive feedback, and engagement with different perspectives. Reflection and Documentation: Students are expected to maintain a reflective journal or portfolio documenting their design process, challenges encountered, and personal insights. This will be assessed for depth of reflection and engagement with course topics. A final documentation must be submitted (as portfolio webpage and booklet) which must communicate the project starting from its development process. The final evaluation of the design projects and research will also take in account the following criteria: 1. Eco-Social agency / Impacts and potentials for positive eco-social change 2. Qualities of the designed artefacts / Aesthetic and technical qualities, and in how far these qualities foster the eco-social agency. How they build upon the state of the art in your chosen field and (design) disciplines. Boldness and vigour of experimentation and design exploration. 3. Conceptual framing, reflection and future perspectives / Understanding of the given situation, relevant actors and the potential for positive change. Critical analysis, synthesis, reflectionand evaluation. Understanding of iterative development and future perspectives. 4. Relations, processes and organisation / Understanding and managing relations and processes with the project team, collaborators, partners, stakeholders and otheractors. Project management. 5. Storytelling / Effectiveness and potential in communicating the project to relevant publics. Quality and effectiveness of presentation techniques and narrative. How well the story attracts attention, convinces and touches audiences. Defence of your proposition and your response to critics.