Semester 2 · 97120 · Corso di laurea in Design e Arti - Curriculum in Arte · 19CFU · IT · EN · DE
Dozenc: Federico Ettore Maria Tarquini, Hannes Egger
Ores de ensegnament: 180
Ores de laboratore: 0
Oblianza de frecuenza: non obbligatorio ma consigliato
Claire Bishop, Artificial Hells, Participatory art and the politics of
spectatorship, Verso, London, New York, 2012
Claire Bishop, Disoriented Attention, Verson London 2025
Hannes Egger, Denis Isaia, PERFORM!, 2018
Peter Weibl, Sound as a Medium of Art, MIT Press, London, 2007
Erika Fischer-Lichte, Performativität, Eine Einfu¨hrung, Transcript Verlag, Bielefeld, 2012
RoseLee Goldberg, Performance Art, From Futurism to the Present, Thames & Hudson world of art, London, New York, 2001
Peggy Phelan, The Politics of Performance, Routledge, 1996
Nicolas Bourriaud, Relational Aesthetics, Presses du Réel, 1998
Sigrid Gareis, Georg Schöllhammer, Peter Weibl, Moments – Eine Geschichte der Performance in 10 Akten, Verlag der Buchhandlung Walther König, 2013
Obietifs per n svilup sostenibel
Chesta ativité didatica deida da arjunje chisc obietifs per n svilup sostenibel
Semester 2 · 97120A · Corso di laurea in Design e Arti - Curriculum in Arte · 8CFU · DE
Dozenc: Hannes Egger
Ores de ensegnament: 90
Ores de laboratore: 0
Claire Bishop, Artificial Hells, Participatory art and the politics of
spectatorship, Verso, London, New York, 2012
Claire Bishop, Disoriented Attention, Verson London 2025
Hannes Egger, Denis Isaia, PERFORM!, 2018
Peter Weibl, Sound as a Medium of Art, MIT Press, London, 2007
Erika Fischer-Lichte, Performativität, Eine Einfu¨hrung, Transcript Verlag, Bielefeld, 2012
RoseLee Goldberg, Performance Art, From Futurism to the Present, Thames & Hudson world of art, London, New York, 2001
Peggy Phelan, The Politics of Performance, Routledge, 1996
Nicolas Bourriaud, Relational Aesthetics, Presses du Réel, 1998
Sigrid Gareis, Georg Schöllhammer, Peter Weibl, Moments – Eine Geschichte der Performance in 10 Akten, Verlag der Buchhandlung Walther König, 2013
Semester 2 · 97120B · Corso di laurea in Design e Arti - Curriculum in Arte · 6CFU · EN
Ores de ensegnament: 60
Ores de laboratore: 0
Erving Goffman, The Presentation of Self in Everyday Life. Anchor Books, 1959.
Allan Kaprow, Essays on the Blurring of Art and Life. Edited by Jeff Kelley, University of California Press, 1993.
Grant H. Kester, Conversation Pieces: Community and Communication in Modern Art. University of California Press, 2004.
Markus Miessen, The Nightmare of Participation: Crossbench Praxis as a Mode of Criticality. Sternberg Press, 2010.
Semester 2 · 97120C · Corso di laurea in Design e Arti - Curriculum in Arte · 5CFU · IT
Dozenc: Federico Ettore Maria Tarquini
Ores de ensegnament: 30
Ores de laboratore: 0
Benjamin W., The Work of Art in the Age of Mechanical Reproduction, Penguin, London, 2008
Connor s., La voce come medium. Storia culturale del ventriloquio, Luca Sossella Editore, 2007, Roma
De Certeau, L’invenzione del quotidiano, Edizioni Lavoro, Roma, 2010
Kittler F., Preparare la venuta degli dei. Wagner e i media senza dimenticare i Pink Floyd, L’Orma editore, Milano, 2013.
McLuhan M., Understanding Media. The Extensions of Man, Cambridge Massachusetts: MIT Press
Simmel G., The Metropolis and Mental Life, New York: Free Press, 1976.
Tarquini F., L'esperienza dei media. Autori, teorie e metodi, Maggioli Editore, 2017
Adalma F., Nericcio W., Rafele A., Cultural studies in the digital Age, San Diego University Press, 2020
Clifford J.,The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art , Harvard University Press, 1988
Engell L., Thinking Through Television, Amsterdam University Press, Amsterdam, 2019.
Morin E., Lo spirito del tempo, Meltemi, Milano, 2007
Simmel G., The sociology of secrecy and of secret societies
Speroni F., Sotto il nostro sguardo. Per una lettura mediale dell'opera d'arte, Genova, Costa & Nolan, 2005
Tarquini, F. (2017). Immagini senza segreto. Media, simulazione e rappresentazione in Baudrillard e Simmel. Mediascapes Journal, (9), 14–29