Course Topics
The course will be split in 10 classes.
1. During the first class, methodological issues surrounding the concept of historiography applied to design will be discussed.
2. The second lecture will discuss the birth of the discipline in relation to the industrial revolution (the role of technology, division of labour, the relationship between design and craftsmanship) and adverse reactions.
3. The third lesson will be devoted to the birth of mass production and the media society, and the emergence of the idea of design as a total art form.
4. The fourth lecture will be devoted to the relationship between design and historical avant-garde movements, with a particular focus on the Bauhaus. The birth of modernist design and its political and social connections will also be discussed.
5. The fifth lesson will address the period of the Second World War (focusing on one hand on the relationship between designers and industrial patronage and on the other on the relation with nation-state).
6. The sixth lesson will focus on post-war design in Italy (the birth of Made in Italy, the special relationship between design and industry, the convergence between design and the arts).
7. The seventh lesson will be devoted to the transformation of early modernist design after the Second World War (the birth of the International Style, design as a total system and its contradictions).
8. The eighth lesson will be devoted to the political, social and cultural movements that emerged between the 1960s and 1970s (the dialectic between culture and counterculture, design as a subversive force, the abandonment of the modernist utopian project).
9-10. The ninth and tenth lessons will be devoted to the late modernity and the contemporary. In particular, we will focus on the collapse of avant-garde experiences and the birth of postmodernity.
Teaching format
Classroom lectures and discussions.