Semestre 2 · 47215 · Corso di laurea magistrale in Pratiche creative e Critiche contemporanee · 6CFU · EN
Docenti: Inge Hinterwaldner
Ore didattica frontale: 30
Ore di laboratorio: 0
Obbligo di frequenza: not compulsory
Greenberg, Clement: Towards a New Laocoon, in: Partisan Review, VII,4, July-August 1940, pp. 296-310.
Krauss, Rosalind: A Voyage on the North Sea: Art in the Age of the Post-Medium Condition, London: Thames & Hudson, 2000.
Raven, Arlene: Two Lines of Sight and the Unexpected Connection: Helen Mayer Harrison and Newton Harrison [1987], in: Söntgen, Beate/Voss, Julia (eds.): Why Art Criticism? A Reader, Hatje Cantz: Berlin 2022, pp. 251-265.
Boehm, Gottfried: Iconic Difference, in: Quené, Saskia C. (ed.): Between Figure and Ground. Seeing in Premodernity, Deutscher Kunstverlag: Berlin/Boston 2025, pp. 169-178. https://doi.org/10.1515/9783422801226-005
Belting, Hans: Image, Medium, Body: A New Approach to Iconology, in: Critical Inquiry, 31,2 (2005): pp. 302-319.
Mitchell, W.J.T.: What Do Pictures Want? The Lives and Loves of Images, Chicago/London, The University of Chicago Press, 2005. (excerpts)
Amelunxen, Hubertus von/Iglhaut, Stefan/ Ro¨tzer, Florian (eds.): Photography after photography: memory and representation in the digital age, G+B Arts: 1996. (excerpts)
Steyerl, Hito: How Not To Be Seen: A Fucking Didactic Educational .MOV File, 14 min., 2013, in: YouTube, https://www.youtube.com/watch?v=LE3RlrVEyuo.
Kwastek, Katja: How to Be Theorized: A Tediously Academic Essay on the New Aesthetic, in: Berry, David M./Dieter, Michael (eds.): Postdigital Aesthetics: Art, Computation and Design, Palgrave Macmillan: London 2015, pp. 72–85. https://doi.org/10.1057/9781137437204_6 .
Tedone, Gaia: Tracing networked images: an emerging method for online curation, in: Journal of Media Practice, 18,1: Practice Symposium, 2017, pp. 51-62. https://doi.org/10.1080/14682753.2017.1305843.
MacKenzie, Adrian/Munster, Anna: Platform Seeing: Image Ensembles and Their Invisualities, in: Theory, Culture & Society, 36,5, 2019, pp. 3-22.
https://doi.org/10.1177/02632764198475
Meyer, Roland: ‘Platform Realism’. AI Image Synthesis and the Rise of Generic Visual Content, in: Transbordeur, 9, 2025, pp. 1-18. https://doi.org/10.4000/13dwq
Whitaker, Amy: Art and Blockchain: A Primer, History, and Taxonomy of Blockchain Use Cases in the Arts, in: Artivate: A Journal of Entrepreneurship in the Arts, 8,2, Summer 2019, pp. 21-46. https://doi.org/10.34053/artivate.8.2.2
Buik, Lisanne/Rotondi, Carmen: Designing with Intelligence. A gracious approach to AI-powered biodigital fabrication, in: Pau Alsina, Tere Badia and Andrés Burbano (eds.). Node «Arts, science, technology and society as a catalyst for change». Artnodes, 37, 2025. UOC. https://doi.org/10.7238/artnodes.v0i37.432976
Further readings and teaching materials will be provided in class from time to time.
Obiettivi di sviluppo sostenibile
Questa attività didattica contribuisce al raggiungimento dei seguenti Obiettivi di Sviluppo sostenibile.