Semestre 2 · 97159 · Corso di laurea in Design e Arti - Curriculum in Design · 19CFU · IT · EN · DE
Docenti: Christian Upmeier, Stephan August Schmidt-Wulffen, Giulia Faccin
Ore didattica frontale: 90
Ore di laboratorio: 0
Obbligo di frequenza: non obbligatorio, ma consigliato
R.Krauss: Cindy Sherman: Untitled, Munich etc. 1993
J. Ault, The Subject is Exhibition, in: Wolfgang Tillmans, Yale 2006
Lockemann, B., Thinking the Photobook, Berlin 2022
Vilem Flusser “Towards a Philosophy of Photography" + “Into the Universe of Technical Images”
Maurice Merleau-Ponty “Phenomenology of Perception”
Oliver Grau – “Virtual Art: From Illusion to Immersion”
Giuliana Bruno - “Atlas of Emotions”
Jacques Derrida - “Archive Fever: A Freudian Impression”
Walter Benjamin - “The Work of Art in the Age of Mechanical Reproduction”
Susan Sonntag - “On Photography”
John Berger - “Ways of Seeing” + “Understanding a Photograph”
Hito Steyerl - “The Wretched of the Screen” (in particular “In Defence of the Poor Image”)
Ariela Azouley “Unlearning Decisive Moments of Photography” + “Potential History: Unlearning Imperialism”
Edward W. Soja — “Communicating in the Third Space”
Whitelaw, Matthew — Digital Humanities Quarterly, Vol. 9, No. 1
https://eu.alma.exlibrisgroup.com/leganto/public/39UBZ_INST/lists/24513163380001241?auth=SAML§ion=24513393840001241
Obiettivi di sviluppo sostenibile
Questa attività didattica contribuisce al raggiungimento dei seguenti Obiettivi di Sviluppo sostenibile.
Semestre 2 · 97159A · Corso di laurea in Design e Arti - Curriculum in Design · 8CFU · DE
Docenti: Christian Upmeier
Ore didattica frontale: 90
Ore di laboratorio: 0
https://eu.alma.exlibrisgroup.com/leganto/public/39UBZ_INST/lists/24513163380001241?auth=SAML§ion=24513393840001241
Semestre 2 · 97159B · Corso di laurea in Design e Arti - Curriculum in Design · 6CFU · IT
Docenti: Giulia Faccin
Ore didattica frontale: 60
Ore di laboratorio: 0
Verrà distribuito durante il corso.
Vilem Flusser “Towards a Philosophy of Photography" + “Into the Universe of Technical Images”
Maurice Merleau-Ponty “Phenomenology of Perception”
Oliver Grau – “Virtual Art: From Illusion to Immersion”
Giuliana Bruno - “Atlas of Emotions”
Jacques Derrida - “Archive Fever: A Freudian Impression”
Walter Benjamin - “The Work of Art in the Age of Mechanical Reproduction”
Susan Sonntag - “On Photography”
John Berger - “Ways of Seeing” + “Understanding a Photograph”
Hito Steyerl - “The Wretched of the Screen” (in particular “In Defence of the Poor Image”)
Ariela Azouley “Unlearning Decisive Moments of Photography” + “Potential History: Unlearning Imperialism”
Edward W. Soja — “Communicating in the Third Space”
Whitelaw, Matthew — Digital Humanities Quarterly, Vol. 9, No. 1
Semestre 2 · 97159C · Corso di laurea in Design e Arti - Curriculum in Design · 5CFU · EN
Docenti: Stephan August Schmidt-Wulffen
Ore didattica frontale: 30
Ore di laboratorio: 0
R.Krauss: Cindy Sherman: Untitled, Munich etc. 1993
J. Ault, The Subject is Exhibition, in: Wolfgang Tillmans, Yale 2006
Lockemann, B., Thinking the Photobook, Berlin 2022
Tudor, Andre, ‚Situating Subjects‘, in: Decoding Culture. Theory and Method in Cultural Studies, London 1999, Chapt. 4
Burgin, Victor, Looking at Photographs; in: Burgin, Victor, Thinking Photography, London 1982, pp. 142-153