Semestre 2 · 97162 · Corso di laurea in Design e Arti - Curriculum in Design · 19CFU · IT · EN · DE
Docenti: Emilio Patuzzo, Christian Lange, Marco Baravalle
Ore didattica frontale: 90+60+30
Ore di laboratorio: 0
Obbligo di frequenza: non obbligatorio, ma consigliato
Guardare nei diversi moduli
Guardare nei diversi moduli
Obiettivi di sviluppo sostenibile
Questa attività didattica contribuisce al raggiungimento dei seguenti Obiettivi di Sviluppo sostenibile.
Semestre 2 · 97162A · Corso di laurea in Design e Arti - Curriculum in Design · 8CFU · DE
Docenti: Christian Lange
Ore didattica frontale: 90
Ore di laboratorio: 0
via Teams
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Semestre 2 · 97162B · Corso di laurea in Design e Arti - Curriculum in Design · 6CFU · IT
Docenti: Emilio Patuzzo
Ore didattica frontale: 60
Ore di laboratorio: 0
Munari, B. Da Cosa Nasce Cosa
Kinross, R., Tipografia Moderna
Deleuze, G., Cinema 1: The Movement-Image
Flusser, V., Towards a Philosophy of Photography
Foucault, M., Discipline and Punish: The Birth of the Prison
Manovich, L., The Language of New Media.
Semestre 2 · 97162C · Corso di laurea in Design e Arti - Curriculum in Design · 5CFU · EN
Docenti: Marco Baravalle
Ore didattica frontale: 30
Ore di laboratorio: 0
Nicholas Mirzoeff, An Introduction To Visual Culture, Routledge, London And New York, p. 1- 21.
Marita Sturken, Lisa Cartwright. Practices of looking. Vol. 2009. Oxford: Oxford University Press, 2001, p. 1-51.
Walter Mignolo, Rolando Vázquez. "Decolonial Aesthesis: Colonial wounds/decolonial healings– Social text." Retrieved December 15 (2013); 2019.
Nicolas Mirzoeff, The Right To Look. A Counterhistory of Visuality, Duke University Press; p. 1-101
Nicolas Mirzoeff, The Right To Look. A Counterhistory of Visuality, Duke University Press, p. 155-187
Gerald Raunig, Art and Revolution: Transversal Activism in the Long Twentieth Century. Semiotexte; p. 67-112
Tony Bennett. The birth of the museum: History, theory, politics. Routledge, 2013; p. 1-98
Rolando Vázquez, Vistas Of Modernity. Decolonial Aesthesis And The End Of The Contemporary, Vior Webmedia, 2024. Read the chapters titled: “Decoloniality” and “La Tour: The Modern Gaze”
Boris Groys. "Becoming Revolutionary: On Kazimir Malevich." e-flux journal 9 (2013)
Jaleh Mansoor, Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia. Duke University Press, 2016, 1-67
Mary Anne Staniszewski, Framing Installation design: The International Avant-Gardes, in The Power of Display: A History of Exhibition Installations at the Museum of Modern Art, The MIT Press, Cambridge, London; 1998. p. 3-24.
Peter Bürger, Theory of The Avant-Garde, Manchester University Press, University of Minnesota Press, 1984, p. 35-55
Mary Anne Staniszewski, Creating Installations for Aesthetic Autonomy: Alfred Barr's Exhibition technique, in The Power of Display: A History of Exhibition Installations at the Museum of Modern Art, Cambridge, London, The MIT Press, 1998. p. 60-83
Brian O'Doherty; Notes On The Gallery Space; in Inside The White Cube; Berkeley, University Of California Press, 1976. 13-34
Georges Didi-Huberman, Images in spite of all: four photographs from Auschwitz. University of Chicago Press, 2008; p. 3-47
Benjamin H. D. Buchloh, "The Dialectics of Design and Destruction: The Degenerate Art Exhibition (1937) and the Exhibition internationale du Surréalisme (1938)." October 150 (2014): 49-62.
Guy Debord and Gil J. Wolman. "A user’s guide to détournement." Les Lèvres Nues 8.7 (1956).
Giorgio Agamben, Difference and Repetition : on Guy Debord’s Films, in Tom McDonough ed., Guy Debord and the Situationist International, Cambridge, Mass., MIT Press, 2002
Ana Longoni; Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968) ; Contrappunto; Mousse; 2; 4-2014; 1-18
Lucy Lippard, The Art Workers Coalition. Not a History, in Studio International, November 1970, 173-179.
Atelier Populaire. Posters from the revolution: Paris, May 1968. Dobson, 1969
Deaton, Clifford. "The memory of May'68: The ironic interruption and democratic commitment of the atelier populaire." Design Issues 29.2 (2013): 29-41.
Raffaella Perna, “The Last Avant-garde? Pablo Echaurren and the Movement of ’77”, Pablo Echaurren. Art For The Many, Silvana Editore, 2024, p. 47-64.